Is Jean-Luc Godard a Marxist?

Jean-Luc Godard was born on December 3, 1930, in Paris, the second of four children in a wealthy Franco-Swiss family. Jean-Luc Godard, a French filmmaker, is regarded as one of the most important characters in modern cinema. Godard has remained one of the most innovative, provocative, and important artists in contemporary film during an incredible career that began with his 1959 New Wave classic Breathless.

In 1976, Godard began collaborating with filmmaker Anne-Marie Miéville on a series of radically innovative works for broadcast on European television — works that Colin MacCabe described as “probably the most profound and beautiful material ever produced for television.” Displaying the rigorous intellect and irreverent wit that characterize Godard’s films, these richly experimental works break new ground both as video and as television.

Although media images appear frequently in Godard’s films, he didn’t start concentrating on television and video as a subject and medium until 1968, when he broke with conventional cinematic production and distribution structures. Godard and Miéville founded the alternative production and distribution company Sonimage, based in Grenoble, in 1972, as a conscious break from the mainstream cinema business.

Godard visited England in 1969 and produced the 1970 movie See You at Mao for BBC Weekend Television, but the broadcaster later declined to air it. Godard went to Prague in the late spring to covertly film the movie “Pravda” with the Dziga-Vertov crew. Godard produced Struggle in Italy (1971), also known as “Struggle for Italy,” for Italian television later that year. It was also never displayed.

Is Jean-Luc Godard a Marxist?

Godard was unafraid to express his intellectual views and political opinions. Through his films, Jean-Luc portrayed existentialist and Marxist views. La Chinoise, Pierrot, Une woman mariée, and Weekend are just a few examples of his Marxist works.